EDIT: here's the link to all the knowledge you may desire.
http://aethercards.com/discourse/playing-card-plethora/playing-cards-fact-or-fiction-myths-debunked-here/
I've merged this topic with that one - that's really where a meaty discussion like this belongs.
Time for another edition of "Noob Questions" hosted by yours truly
So as always, trying to do my homework, because while I go with what appeals to me ascetically, it is always a plus to learn about what your adding to your collection.
So, Bee brands, seems these are more of the "Classic" design professional playing cards, used by Casino's etc...OR is it a finish? I see this tossed around here and there, "Bee Casino Finish". I do like the more classic design on the Club Specials Stinger Backs for instance ( I hear the Black version is tough to come by), but what am I really looking at when looking at a Bee Deck? I'll be honest, I'm still kind of figuring out the "Pecking Order" as it were with playing cards, I know USPCC prints most decks, but then you have Bicycle, Bee, Hoyle, Aviator, Km and a few other smaller "Brand" I guess? I think my confusion lies in descriptions such as this " Bicycle XYZ Deck designed by T11, manufactured by USPCC" there seems to be 3 different things going on there.
Maybe an easier example would be the recent Black Book of Cards on Kickstarter. They offered "Bicycle" branded decks, so it's the same deck, but with Bicycle branding...why is this such a bit deal? Or is it?
As always I appreciate the feedback and apologize if this is a simplistic question that I'm making complicated. When I started it seemed it was more like, "OOOHHH, Pretty Cards!" now as I learn more it seems to bread more questions.
Thanks in advance
OK, from the top working my way down...
Bee is considered a classic design. It's USPC's oldest brand, dating back to before the creation of the company - part of how USPC grew to the monolith that it is was by "the Microsoft method" - find any company doing any good work and buy them! The "traditional" version sold in stores all over the world is the Bee Diamond Back, with the pattern that's printed into the bleed (past the edge of the cut line, resulting in a borderless card), creating an illusory effect when spread, making it hard to know where one card ends and another begins. They're still sold in stores this way, but casinos have for the most part dropped that and similar designs. In addition to the not-entirely-perfect cut on the card back creating what was in essence marked cards, but because many card mechanics took advantage of that visual effect I mentioned to conceal some of their card sleights. The majority of casino decks today now use a back with a border to it, be it white or some other color, but not a pattern on the edge. One of the popular designs, used on Bee and old Aristocrat decks created for casinos, was the Stinger Back - basically a Diamond Back with a fade-to-white border. On casino-designed decks, they were usually accompanied by the casino's name or logo, and a tiny oval with a Bee logo in each corner - hence the name Stingers. The Aristocrat version, while still called Stingers, had an image of the four suits in the tiny ovals of their decks.
I believe that the Stingers you're referring to are the Theory11 decks. T11 got permission from USPC to create the first-ever Stinger Back made for a non-casino deck. In addition to removing the casino names, they did away with the Bee logos on the corners, creating a very simple, elegant back design. They were originally sold only in black (and just called "Stingers", not the name we know them by today, "Black Stingers" - much like how World War I was "The Great War" until World War II began), and those sold out. A couple of years later, the Red Stingers were made - same design, new color, very popular. They were using a stock that's no longer available for custom decks, Aristocrat stock, which has a slightly beefier feel to it and aren't quite as stiff as Bee Casino stock. Anyway, those, too, are sold out now. But...it's been noticed that while the original print run of Black Stingers was made in Cincinnati, many decks came on the market labeled that they were made in Erlanger. It was soon discovered that T11 was still reprinting some of their older decks, but for unknown reasons only selling them through other retailers and not on their own site. We know of at least one other instance where this occurred, with the Propaganda deck, one of the first designs T11 created. As people started learning of this, price differentials developed between the Ohio and Kentucky decks, with Kentucky decks fetching a lower price.
In regards to paper stock...
I wrote a rather nice article about them
here with an addendum
here. I'll tell you that at one time, there were many, MANY different stocks at USPC - Bicycle (Standard), Bicycle Casino, Bee, Bee Casino, Aristocrat, Tally Ho. At one time, E was using the Bicycle Casino stock for all of their decks, but they switched to a thinner stock when the company moved to Erlanger due to problems USPC was having getting the thicker stock to print properly on the new hardware. Tally Ho got the axe early on, and they started using Aristocrat stock for Tally Ho decks. Then Aristocrat itself was removed. Lastly, Bee (Standard) was axed, and it was around that time that USPC stopped using the industry standard for measuring the weight of paper, grams per square meter (gsm) and switched to measuring paper by its thickness range instead, with Bicycle being the thinner and Bee Casino the thicker - but as you'll see in the articles linked above, I've learned that there's actually some overlap between the two papers' thickness ranges...
The way most people saw it was that Bicycle was the thinnest and Bee Casino was the thickest, much as today. Bicycle Casino was a bit thicker and stiffer. Aristocrat and Tally Ho were about the same thickness, heavier than Bicycle Casino, but Tally Ho was stiffer while Aristocrat was more pliant. Then came Bee followed by Bee Casino.
Lastly, there was one oddball stock, UV500. Early Ellusionist decks were marked as having "UV500 Air-Flow Finish". The UV500 part was the stock name. It was a heavy stock, on par with something like Tally Ho or perhaps even thicker/stiffer. What made it unique was that the paper was UV-sensitive - it fluoresced under a UV lamp, a lot like someone wearing a white outfit, making for some inpressive looking cards - ordinary white card stock didn't react at all under blacklight. It was their go-to stock - until the plant making the paper jacked up the price high enough to make it prohibitively expensive. I could be mistaken, but I think the last company to use it was David Blaine for his UV-sensitive version of the White Lions Series A in blue. It was considered one of the "Rainbow Series" decks in that run, the other two being the red deck and the transitional purple deck - that deck shifted gradually in the production run between blue and red, allowing Blaine to have two different deck colors in a single print run. But I digress...
Now about finishes...
At one time in history, these words meant something and represented actual, different finishes of differing formulae: Cambric Finish, Ivory Finish, Air Cushion Finish, Linoid Finish, Linen Finish, High Finish and probably a few more I don't know about. Today, we associate these finish names with the different brands that used them: Cambric and Ivory are most often found on Bee decks (Ivory much less so today), Linoid is found on Tally Ho decks, Air Cushion is found on Bicycle decks, etc.
First, let's clear something up that USPC loves to get muddled: a card's finish is actually referring to the embossing more so than the laminate applied to the cards. Back in the day, USPC's decks were all made on smooth paper, and it was in the laminating process that the embossing was applied (which is probably where people start muddling things, right there). The laminate was applied to the paper using textured cloth rollers - different fabrics created different textures, so that's where the embossing came from. It's also why some of the finish names (such as Cambric, Linen, Linoid) are derived from the names of fabrics. Anyone fortunate enough to own older decks like Jerry's Nugget or the Japanese Friar's Club may notice this difference, especially on the Jerry's - I'm told that it's textured on one side, smooth on the other, which is believed to contribute to the deck's beloved handling characteristics.
I forget when the change took place - it was either late 1970s or early 1980s, probably around the same time they stopped using a traditional cut for their standard decks - but eventually USPC did away with the cloth roller process altogether. The rollers tended to wear out more quickly and needed frequent replacement, slowing down production. To the best of my knowledge, they now put the embossing on the paper when the graphite glue is applied, using heavy steel rollers that press into the surface of the paper itself. (Pasteboard, which is what cards are made of, consists of two layers of paper held together with a layer of glue in between. The glue is laced with graphite in order to make the cards opaque - they're only translucent without it, allowing one to read the cards from the back under the right lighting. Some cheap decks today are made without the graphite or with inadequate amounts, which is why some cheap decks will show light through them when held to a lamp.) There's a video that USPC created for one of the educational/reality networks on cable which shows the manufacturing process.
Today, the only real difference between the "finishes" is the marketing. Linoid, Cambric, Air Cushion - it's all pretty much different ways of saying the same thing - basically a "standard" finish, which is how USPC refers to it internally. They all use the same basic laminate and get pressed together in between the same rollers. (Of course, the smooth decks are pressed between smooth steel rollers...)
But, there is one new wrinkle - what you know as "Magic Finish", a new laminate introduced by the company a couple of years ago. I've heard some say there's no actual difference, but I've actually noticed that fresh out of the cellophane, a Magic Finish deck has a sharper chemical smell than the standard finish does - my wife can tell the difference at a distance because she likes the smell of Magic Finish! I can tell it as well. Crack open a pack of basic Bikes and a pack of some new custom deck and you'll probably notice it as well. At one time, Magic Finish was an option you had to pay extra for, whereas now, it's the automatic finish selection for custom decks - you actually have to request the "standard" finish laminate.
In addition, particularly in the early days of the finish, many companies had their custom decks labeled using the traditional names rather than calling it Magic Finish. The very first deck to have Magic Finish on it was the Gold Arcane deck, and it's labeled as "Air Cushion". The first deck to have Magic Finish and to say so on the tuck box was the Bicycle Cargoyles by Lance Miller. The first smooth-finish deck to have Magic Finish, to the best of my knowledge, was the black and silver Bee Erdnase 1902 Acorn Back deck in Ivory Finish produced by Bill Kalush at CARC. It's believed that the creation of the finish was in part motivated by the problems some early metallic-ink decks were having with handling. Anyone who's handled a Stephen Rook/Diavoli deck knows what I mean. The cards are pretty nice to look at, but clump like cold, wet mud.
Did you catch my earlier mention of "Traditional Cut"? As mentioned, circa 1980 plus/minus a few years, USPC stopped using Traditional Cut. Traditional Cut is what's known as a "face-down" cut, meaning that the individual cards are pressed through the cutting die facing toward the blades. The beveled edge this created not only made the cards easier to shuffle, but also permitted one to make a table faro, face-down, right out of the box. For reasons unknown, this required the card sheet to be inverted at some point after printing (and for web press decks, after cutting the sheets from the roll). USPC got hardware that allowed them to speed up the process of making a deck, something that didn't require the sheet to be turned, but that created what we call a "Modern Cut", which is a face-up cut, with the cards being pressed into the die with the backs facing the blades. They don't shuffle as well, and can't be faroed face down until they've had a good deal of breaking in. Casinos, being the traditionalists that they are, generally insist on Traditionally-Cut decks. A good example of a traditionally cut deck would be the Richard Turner Gold Seal Bicycle Rider Backs as well as the Professional Bicycle Rider Backs from CARC.
Almost any new, uncanceled deck from a casino will also be traditionally cut, but because paper decks are no longer used in poker, most of the decks you'll find will have "Tech-Art" faces - those are the ones with the four Ace indices, the ones on the left being short of the corner, as well as all the number cards up to 9 falling short. These cards were designed so a blackjack dealer could know immediately if he was dealt a blackjack by the use of a mirror built into the table - cards worth ten had a high index in the left corner while Aces had a high index in the right corner. They're also usually jumbo-index, as that's the preference these days for most blackjack tables. Many people aren't fans of either Tech-Art or jumbo indices - T-A isn't good for standard card play and may look a little too alien for some spectators.