Tom Dawson invited me to join the party so this is my first post. After consultation with Tom, he thought that my choice of topic would be of interest not withstanding the fact that I have written about it at least twice in the pages of the 52 Plus Joker News Letter, Clear the Decks, the last time being about six years ago. However, since this forum reaches those who may not be members of 52 Plus Joker, this post may, hopefully, be well received. With those non members chiefly in mind, I will begin.
The Norwood 85 deck was produced by the United States Playing Card Company c.1919 and is described in the Hochman Encyclopedia as being one of the most beautiful decks produced by that company. For reasons that years of research have failed to discover, the deck was never released for general sale and as far as I have been able to ascertain there are less than a dozen copies known to exist. One copy, of course is held by the United States Playing Card Company. There is also one copy each in the Beinecke Rare Book Library at Yale University, The New York Historical Society and the library of Columbia University in New York City. The few remaining copies are in the hands of collectors. There are two very puzzling things about the rarity of the deck. First is the fact that it is known to exist with two different back designs. Second, among the known copies of the deck, some are gold edged and some are not. That would seem to be odd state of affairs for a deck that was never released for general sale. In fact, the deck has never been found in its own identifiable box. The copies of the deck that I have been able to locate have been found either without a box at all or found in a nameless generic box. There is one exception. One deck exists in a box designed for the Bijou No.1 deck and that adds further interest to the matter because both the Norwood 85 deck and the Bijou No.1 deck have the same unusual pip card format. The two back designs were taken from famous works of art. All but one of the copies that I have been able to document have a back design from a painting named "The Storm" shown here. The remaining copy has a back design taken from a painting variously known as "Cupid and Psyche" or "Armor and Psyche". That particular copy is the one in the Columbia University library.